Friday, 29 September 2017

My inspiration comes from the Holy Spirit

Reknown Gospel musician Imole Imisi Oluwa spoke to the Entertainment Parrot on his musical career.

E.P: Kindly introduce yourself?
Answer: My names are Imole OluwaDamilare Daniel Famoritade from Akure North capital of Ondo State.
A computer Graphist graduated from Chriswealth University Ifewara Osun State with a degree in Computer Science also i went to Pefti music and film institute at Ajao Estate Lagos where i obtained my Diploma certificate in music am a lover of art and Christ 

E.P: What inform your choice of music as a career?

Answer: Well I could say that should be due to my upbringing anyway, as a person from a solid Christian family background and from a musical loving family. I think that is one of what informed my musical career.

E.P: At what stage did you decide that music would be your career?

Answer: My musical career was decided earlier when I was a teenager.

E.P: Any album from you or how many albums and their title?
Answer: Yes apart from my live performances, album ofcourse I have three (3) recorded albums now and they are (1) The lord’s Inspiration (Imisi Oluwa) (2) Folarehami (3) The way, and presently working on another one.

E.P: When writing your songs what gives you Inspiration?
Answer: My inspiration comes from Holy Spirit mostly when am fasting or depending on what is going on around me in particular or the environment in fact I do compose mostly when am calm and I feel inspired.

E.P: What is the name of your band and how many members are with you in the band?
Answer: It is named Imisi Oluwa TIC we are 12 in number.

E.P: Lovers of your music how can they contact you?
Answer: Thanks they can always contact me through my social media facebook Imole Imisi Oluwa or Imole Imisi Oluwa website imoleimisioluwatic.com. (The website will be in progress).

E.P: Who are those that you look up to in music?
Answer: King Sunny Ade, Ebenezer Obey, Michael Bolton, Dr. Lanre Teriba(ATORISE), Evang Akin Adebayo (Imole Ayo) and lots more. Thanks.   

Tuesday, 19 September 2017

I DO MORE OF INTELLECTUAL PERFORMANCE NOW






I DO MORE OF INTELLECTUAL PERFORMANCE NOW  


INTERVIEW WITH AMBASSSADOR ADEDAYO LAIDI (IJODEE) PRESIDENT GUILD OF NIGERIA DANCERS (G.O.N.D)

E.P: Your incursion into dance how did it start?

Answer: I start dancing when I was very small at the age of 5/6 years during festivals it was more or less started during family gathering then in primary school up to secondary school and polytechnic yabatech. I decided that I don’t want to do what my father really wanted me to do that is to be an engineer then I changed my thought to be a dancer  in school in France it was a French government’s scholarship that was how I travelled out of Nigeria for the first time to study dance and choreographer after that I have six other scholarship to study dance in France, Germany, Senegal, Australia, Korea.
 E.P: People see dance as more strenuous you have to keep your body in shape how did you keep away from those vices (habits) that we indulge in?

Answer: It is not so easy for any artist not to have some habits which people have but you must have what is called discipline coupled with good food and exercise you keep your head high also one should be careful with the type of friends you keep of course one will have made one mistakes or the other which is normal you adjust and move on with life, dance is like football as you get older you do things that your body would agree with you look at other things that you can do as of today am a dance director, dance consultant, producer, festival director I equally coordinate shows I still dance but to select audience where I perform for governors, diplomats it is more of intellectual performance I can’t go and dance for school children at my age am going to fifty even though people say I have a small body these days I work 100% with my brain and 30% percent with my body I have many assistants working with me I have my own dance organization I have my own dance festival there is one for the 36 states for the federation known as TRUFESTA am equally using this platform to hand over to the next generation. I have about three festivals in a year all are dance festivals.

E.P: What are you doing to encourage the youths?

Answer: I have said it already, I normally have 3 or 4 annual workshops; I organize dance training programmes where I invite dancers from outside the country from Africa, Asia and Europe. I started encouraging the youths many years now I even organize residences programmes to encourage them, the last work shop I did was in Abuja am the president of GOND we organize a dance seminar in Lagos last month also through TRUFESTA international festival I do collaborations I organize residence programmes for the youths taking them outside the country to live in these foreign countries God has used me to help at least 60 dancers to go outside the country some are back now as dance instructors in the country the government doesn’t see these they focus too much on oil and football

 E.P: Your take on government attitude to the art?

Answer: I see my self as an entrepreneur and I can be waiting for the government I have never waited for government all my life although we think differently some of my colleagues will always wait for the government even when I was young I don’t wait for my daddy I do things by myself my father always testify to that, I make things happen for people I don’t wait for things to happen even for people to keep them busy even the less privilege so today I have dancers that I have helped to the U.S, Germany, Holland, France, Austria and Korea likewise some are in Asia where I have strong contacts for them to be able to use the platform of dance to be somebody in life I do this through residence programmes abroad.

E.P: How can dancers contact you?

Answer: Through social media I think I left Nigeria 1994 for 8 years it was off and on but in 2002 I decide to come to Nigeria to  work with other dancers because I myself was trained by other people we tour the world and came first in Africa even the Big Brother contestants like Thin Tall Tony he was with me for many years also another guy in the same competition Frank Koway were part of my dancers my artist are also part of the BBN they are best trained and discipline but the government I have tried everything possible to link them to support what we are doing but because we are not politicians they don’t acknowledge our efforts but by and large what am happy about is that I have been able to tell Nigerian dancers that dance is a profession that is worth it, it is a noble profession not an hobby from which they can make money and fame.

E.P: There is spectacle of dance and music going together you have done a lot of collaboration how did that happen especially Olori Oko?

Answer: I think for me if your music is good and have the type of message that is good for the society the one I did with Olori Oko, Project Fame, with Edaoto, one for Nigeria dance work out I am keen on inspirational music I am a father I want my children to see me as a father not just a role model but a good one at that.

E.P: For somebody to excel in dance what should be your advice to them with your experience

Answer: I started dancing because I have passion for it but in 1995 I started making like hundred thousand so I was surprised even when the money started coming I was not taking cognizance of it I was more interested in the message am passing through dance to the people they have to be steadfast, work hard and believe in themselves. Am in dance business because I am a business man now am a consultant be patient a step at a time wait for your own time life is turn by turn be very very prayerful, believe in God because without God nothing is possible.

E.P: Your humility touched me at our first encounter?

Answer: I always believe you don’t need to over hype yourself I believe my parents have done a lot of work on me which is what I tell my children now to be humble and respect people which is very important especially now when people who have nothing to offer would sing about million million naira it is good to have money but bring your head down for God to bless you be humble.

E.P: How lucrative is the dance profession especially to many people who would like to make dance a profession?

Answer: Dance is lucrative if you do it the right way if you don’t do it the right way you won’t be able to get anything there is the business aspect of dance equally there is a corporate aspect of dance that’s why I said it is step by step I have been in these business for 25 years now but the young generation want everything quick (instantly). Don’t over hype yourself I know projects that I can collect 1 million but I don’t want it to be my priority I need the money but money is not the ultimate without money I won’t be able to do anything I don’t let money be my first priority.

E.P: Tell us about your family?

Answer: Yes am married with three kids and God has been taking care of my family he has done beyond my imagination I give God the glory.

E.P: Your message to your fans

Answer: My message to my fans? I called them followers because when you called them fans is like you are be little them, they are my family and friends and I will continue to do my best not to let them down I like them to continue to pray from for good health and for me to be able to bring new creativity into dance.

E.P: What would you like to say to your daughter who is celebrating her birthday today?

Answer: Em to my daughter Ayomide that is celebrating her birthday today I want to let you know that daddy love you and I will continue to support you to become all that God have sent you to become on Earth and I know you will get to your destination Happy Birthday my daughter Ayomide God Bless you.                                       

Wednesday, 13 September 2017

ALL MUSIC ARE COMERCIAL MUSIC



INTERVIEW WITH FAMOUS AFROBEAT MUSICIAN EDAOTO ON HIS MUSIC AND PHILOSOPHY




 E.P: can we know you 


Answer: My name is Edaoto Agbeniyi  from Agbeniyi Awoyokun family as you know I am a musician and I have acted in a couple of films,  e.g. I was in ABOUT TO WED:by greg odutayo,  LEGEND OF OYA directed  by LEKAN  BALOGUN and MALAIKA by aisha and kabira kafidipe and other stage plays.

E.P: The inspiration for music when the you decided that it is music that could bring the satisfaction you need in life?
Answer: Like I always said I have always been a musician and afro beat is the genre later people began to call it afro folk or any other name they like but the genre that called me is afro beat with the infusion of folklores but I formed my band in June 1999 and different people have come in some are have left but it is a thing of joy that the band had been formed it is known as Edaoto and his Afro genius band.

E.P: we know that afro beat music is centered on African projection of earlier musical forms and had a forerunner in FELA ANIKULAPO KUTI what was your intention in playing afro beat with lot of folklores.

Answer:  The reason i play afrobeat is not because nigeria music is lopsided but because afrobeat called me i formed my band in 1999 and of that time nigeria music wasn't this watered down, playing afro beat on its own is a call that i answered the  reason why I play afro beat is that in the last twenty years Nigerian music has lost it form, losing the whole sense of who we are as a people culture and music wise. So nobody works on those values anymore because they want to play commercial music, I do not know what commercial music is because every music is commercial with targets audience but now to promote music you have to have big budget to promote your music. Hence most of the musicians today tends to forget about our values as a people or projecting the image of the core African values. I want to tell you when you cut yourself away from the past you lose where you are coming from for the present.
My thinking is that we should bring the past to our present so that we can further a path for our self.  If you play music that has to do folklorerish  embellishment it could allow us to know where we are coming from it is for us; for example if you look at Ghana they have  high life and fussed it with hip hop to balance it not a total break. They move from there high life and embellish it with a new music culture, slavery cannot remove the African culture, custom, music and way of life. African has one of the most advance technology I do not know what they call Ijabe, Olo, Odo which was invented by our  forebears over thirty thousand years ago  which was not known to the white man  of course we have one of the most  terrible  experience of slavery in Africa  but before  then  we have been prince and princes,  king and queens  look at the pyramid built by Africans probably  blacks  in Egypt.

E.P: But this shift towards commercial music that have no African perception is what is been celebrated by people?

Answer: Yes except for few musician who are sensible enough to play the fussion of this with African music like I always said my music is purely
African am using myself as a guinea pig in playing completely African music with Folklores embellishment      in it.

E.P: you said in Ghana we have a fussion of high life with hip hop: what stop us from using the same method music wise in nigeria because the music that can sell and bring money must be commercial really.

Answer: You see how people are so hypocritical about  how  we attend to issues in Africa let me share an example, they was a big man who came to watch my play and as I came down from the stage he called me and told me you play good music solid African music, I said talk to my manager if you know  we play great music since you are a multinational why  have you not promote us by given  us shows he said  their boss in the office knows we play good music but would prefer to promote those that have  been played on the radio. He said we don’t have followership.
Now my take I don’t have any problem with those artist that promote such music but it is the system that birth to them, the system that gave them the ground to triumph, the system that nourish the ground but if the system has been properly tailored to promote progressive music that is riched with          African music but it is unfortunate that the artist are not the problem but the system. If you see the energy put into the music perhaps if the system has been tailored to promote African music the guy would have done something great, when they sang remove your part, and trouser you won’t want your       children to listen to it but this are the guys that are contacted to play at parties and giving massive promotion and support we are not truthful to ourselves.
They promote sex, gambling, drugs, gangsterism through music but I have no problem with them.

E.P: What project are you involved in music wise?

Answer: I have several albums including about eight albums with akeem lasisi of punch news papers of course you were at LNG CORA BOOK Party and you saw me on stage with the poets. I am the must featured musician with Nigerian Poets  akeem lasisi was the first person to take poetry to television with me the first one about 15 years ago. we released critical speaking through mania  records,  my band as always be on tour  South Africa, central Africa and the  US and my music is always online just google my  name you will get my music, the current programme  we release a new album today  titled RORA it is online  we play every first Thursday  at freedom park in Lagos

E.P: Your altitude to Government patronage of the art?

Answer: I am a great critic of every government in Nigeria because there are anti-people but the last seventeen years of  civilian rule as been the worst, anybody expecting something from Nigeria government   is deceiving  himself.
We have politicians  whose  recurrent  expenditure is greater than  the capital expenditure they have been the  most dangerous we have seen in Government APC and PDP are the same, no ideology   the same sets of people.

E.P: What inspires you when choosing your songs?

Answer: I don’t drink when I want to  write my songs/ music, my muse brings my music to me            because of things that happens around me so the inspiration just come naturally from my environment through my muse.

E.P: What is your message to your fans?

Answer: I will tell them to fight on because what I see all around me is suffering strangulations and lies everywhere, if you listen to my music you would see me sing about our struggle as a people under oppressive government and policies.